Firstly, it uses much shorter delay times, so the effect is a form of moving comb filter, heard as a distinctive whooshing sound. Technically speaking, the flanger plug-in is similar to chorus plug-in, with a few exceptions. Likewise, the mix control is best with both wet and dry present in the mix, although the fully wet version (activated with the D-Mode switch) arguably has the greatest amount of width. The most musical settings seem to sit at about a rate of 1Hz, with the intensity not so pronounced that you start to hear the pitch moving. The rate and intensity control relate to the LFO used to create chorus effect, although in this case you’ll want to imagine them as a form of vibrato, with rate being the speed of vibrato and intensity being the pitch-drift amount. The chorus plug-in is a solid springboard from which to launch quick and easy audio treatments, especially given the simplicity of its controls. This way, you’ll be able to hear the full contribution of the effects rather than the sound-widening options such as detuned oscillators and pulse-width modulation that could be applied via the synth itself. In many ways, this replicates the raw sound of many early string machines, which used divide-down oscillators rather than a collection of VCOs and filters found in true polyphonic synthesizers. To illustrate the importance of effects, this tutorial uses a simple single-oscillator sawtooth sound. But if you’re after an authentic 1980s-style aesthetic, there’s much merit to be found by exploring effects such as chorus, flanger and ensemble. These days, of course, it’s not terribly difficult to get thick synth pads without having to turn to effects. Listen to a raw Solina String Machine, for example, and you’ll be surprised by how thin and insipid the source sound is. In recreating these stylish 1980s-type tones and textures, though, composers and sound designers rely largely on the magic of effects. As the soundtracks to the massively popular Netflix series Stranger Things and the critically adored Safie brothers’ joint Uncut Gems illustrate, the sounds of classic analogue synth pads are very much in vogue.
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